An freshly coined acronym surfaced a few months following the onset of the military campaign against Gaza. Labeled WCNSF, it means “Wounded child, no surviving family”. This term is specific to Gaza, per insights from doctors such as child health specialists. Normally, it is rare for physicians to attend to a child who has lost their entire family. However, there has been no semblance of normality about the widespread destruction in Gaza, where entire family lineages have been wiped out and the number of young amputees exceeds that of any other region in the world. No sense of normalcy about numerous doctors arriving back from a sea of ruins with accounts of children being intentionally shot at.
The Gaza Strip continues to be hell on earth. Critical healthcare resources are failing to reach those in need, and major human rights organizations assert that genocidal acts are still being committed. Officials disputes these allegations, just as it disavows all charges it is accused of. Meanwhile, while young survivors are now freezing in improvised encampments, there is some ostensibly positive news: nothing is going to stop the Eurovision song contest from advancing its professed goal of “unity and cultural exchange.” The contest will continue to offer a prestigious stage for Israel, although several European countries have now withdrawn in objection. Because this, apparently, is what international harmony looks like.
The contest, notably banned Russia from taking part in 2022 over the “serious conflict in Ukraine”. However, the situation in Gaza seems completely different.
Forget the fact that Israel was criticized for irregular participation methods last year in what appears to have been an bid to politicise Eurovision. Forget the fact that a toddler was reportedly killed in Gaza on a recent Sunday. Forget the fact that attacks by settlers and forced displacement in the West Bank have escalated. Forget the fact that foreign reporters are still blocked from unfettered access in Gaza. None of this, evidently, should be allowed to get in the way of Eurovision’s much-touted ethos of unity.
The contest turns 70 next year – nearly twice the average life expectancy of someone in Gaza today. The show may go on, but it will likely never recapture the whimsical pleasure it was formerly known for. An institution that was originally built on togetherness has devolved into a transparent instrument to sanitize military aggression.
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