In a candid discussion, the acclaimed performer delves on topics ranging from her latest role as a regal sea creature to the profound lessons learned through theatrical mistakes and fan interactions.
The most recent role is the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Without hesitation, that particular fish found at Clovelly beach – because it’s a local landmark, and people go there to see it. I just think it’s cool that a resident aquatic creature that folks genuinely go and see and discuss – it holds a unique status.
Which movie do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this picture. When I was childhood, it used to come on television occasionally, and once I videotaped it. I found it was so funny. It stars Carole Lombard and Jack Benny. Not long ago they were showing it at the Ritz and it turned out that it was also the favourite film of an acquaintance, and so we attended and just laughed repeatedly. It’s such masterful work of humor and all the actors in it are superb. Mel Brooks did a remake in the 1980s – which was not as effective. But Lubitsch's version is a brilliant comedy, to be watched often.
What is the most valuable lesson you took away from someone you’ve worked with?
I was doing A Doll’s House alongside Peter O’Brien – my husband now, but at the time we were not together. We portrayed characters opposite each other and on opening night I tripped up – I skipped forward a few lines in the script. I didn’t know of my error but I suddenly realised something wasn’t right. I recall glancing toward him, and he expertly rescued the moment, and then the scene regained momentum and proceeded splendidly. But I think what I learned in that moment was, firstly, consistently rely on the individuals you’re working with. If you don’t know your place, if you turn around and look at the actors sharing the stage with, you can rediscover where you’re meant to be in some way. It is a profoundly collaborative endeavor, performing live. And secondly, to maintain a sense of fun about it. Occasionally when a mistake occurs, things actually spark off in a wonderfully positive direction if you’re fully engaged then. It may become an unexpected boon when things go absolutely the wrong way.
Can you describe your most touching interaction with a fan?
There isn't a single specific meeting but when I meet fans of Lord of the Rings, particularly women, I am told numerous stories about what Eowyn meant to them when they were growing up … events that occurred in their lives and the extent to which Eowyn meant to them and was a form of support to them in those times.
What do you get asked most frequently by Lord of the Rings fans?
The most specific question is always about that infamous meal her character prepares for Aragorn. “Did that stew taste really that bad?” It has evolved into such a joke, the entire episode about the stew, and all fans wish to know the contents of the stew, and how was it made, and do you think her skills improved now, or do you believe she really is a bad cook? Fans seem, I think, obsessed with the comedy of that scene. And I go into lengthy descriptions listing the components that constituted the stew – as I recall what they did; like they even put bits of colored thread to simulate the appearance like bits of veins in the meat. They went to extreme measures to render it as unappetizing as possible.
What was your most cringeworthy celebrity encounter?
I was at a pilates class and another participant lying down doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made some joke about, “might you be a journalist?” Because it’s an uncommon moniker and most of the time when someone’s a Miranda, they work in media. I wasn’t really identified her. And as she rose, it was Miranda Richardson. Then I didn’t know words. I still had to complete my class, and I experienced so embarrassed. I wished to explain: “Oh my gosh, I do know your work!” I consider she’s so fabulous and I was simply too awestruck to utter a syllable.
Articles have confidently claimed that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet I’ve read stating otherwise – can you settle the matter once and for all?
Indeed, I was christened for a district in Sydney. My mother heard on the radio that they were opening a shopping centre at that location, and she thought seemed a pleasant choice.
What was the chaotic thing that’s ever happened on set?
When I was working in Brazil on Reaching for the Moon that was the most chaotic set I’ve ever worked on, and yet the final product turned out brilliantly. But they just work in such a different way. Their concept of time there is unique. Typically, you normally have a call sheet and you have to be on set by a certain time. But this was rather flexible – one would appear whenever you happen to be ready. It was a novel way of working for me. The elements were all coming together at the very last minute, and sometimes they wouldn’t know the next location or the methodology. And then you’d be in the middle of a scene and wondering, “What was that noise that disturbed the scene? Oh, it’s the producer opening a bottle during filming, to start a party.” The result was great, but wow, it’s a really different approach to film-making.
Do you have a secretly good at?
I’ve always been good with numbers. I retain numbers easier than I learn dialogue a lot of the time, I simply have that kind of a brain. So I think had I not pursued acting, I probably would have worked in involving numbers, like math or finance.
What’s the best piece of advice you have ever received?
During my time in high school, someone came to speak when we were graduating and stated, “have no fear to fail” … an idea I consider is supremely valuable counsel, since one gains so much more from setbacks than is gained from success. With success, you never really comprehends precisely why it happened. With failure, you learn abundant.
Maya is a seasoned casino enthusiast with over a decade of experience in slot gaming, sharing insights and strategies to help players improve their game.